The Odd Boy and his Precious Piano
By Allen Howe Published by iUniverse
ISBN 0-595-16664-4
Written in the first person, The Odd Boy and his
Precious Piano begins when Alan is three years old, in a convincingly
young voice. In fact, not only is the protagonist’s voice
realistic at three years old, but it matures accordingly, as he does,
to the book’s conclusion at the age of twelve. Using narration
and dialogue, Alan tells his story.
Perceived as odd by his classmates from an early age, he nonetheless
has friends, albeit they too are always on the fringes. His
parents, who we learn in an aside, are older than the parents of Alan’s
contemporaries, overprotect him. Dirt and disobedience are to be
avoided, and privacy is denied him, even as he matures and enters
adolescence. His parents, who come across as somewhat neurotic in
their strict control of their son, instill their own fears in
Alan. With a “marriage list” of girls he considers suitable and
desirable, he seeks girls out as playmates over boys, and engages in
kissing, multiple proposals and, in one case, a mock marriage.
At the age of eleven, Alan meets Jack, a new student at his
school. Jack is everything Alan isn’t, athletic, popular, and a
magnet to both his classmates and his teachers. To Alan’s
surprise, Jack befriends him, and we soon are witness to their budding
discovery of one another. With a light hand, the author relates
in Alan’s voice the tentative touching, kissing, and hand holding, and
Alan’s mostly visceral understanding that he’s attracted to boys, not
girls.
Interwoven throughout the narrative is Alan’s gift for music as an
accomplished pianist, evident from an early age. Although this is
a source of pride for both him and his parents, it’s yet another oddity
that sets Alan apart.
The Odd Boy… is a character driven, chronological narrative, and as
such, relates the ordinary experiences as well as the profound, as Alan
grows up. The book’s climax comes with Alan’s first piano
competition, and parallels in time his relationship with Jack.
This book’s strength lies in the unwavering way in which the author has
captured a child’s voice, a child’s understanding and a child’s
perspective of the world as he experiences it. The Odd Boy and
his Precious Piano is highly recommended for its realism and light hand
as it chronicles a young boy’s coming of age.
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Carcass of the Caterpillar
by E. Layne Kelly Published by indieArtz
ISBN: 0-9753252-1-3
Set in the countryside of North Carolina, Carcass of the Caterpillar opens
with Chad climbing the town’s water tower. We learn that this
typifies Chad McLain, a loose cannon who defies the rules, the
authorities and does the things that appeal to him, earning the
nickname “Cra-zee McLain.” The quintessential “all boy” small
town eighteen- year-old, athletic, masculine, and well liked, we soon
see that Chad’s life isn’t simple. Chad, and to a much lesser
degree his younger brother “Sam,” are physically abused by their
father. As the older of the two, Chad bears the brunt of the
beatings. We’re also introduced to a neighboring farmer, Jake,
who Chad works for from time to time.
Chad hasn’t given much thought to either his attraction to boys, or his
disinterest in girls, although he’s learned to ‘cover’ his natural
tendencies. He picks a plain girl to date, who he knows will be
satisfied with an occasional night out and a kiss on the cheek.
Coming off another beating, Chad brings his truck to the town’s service
station and meets Tim, a University of Miami dropout now working as a
mechanic. Neither boy is unknown to the other, having attended
the same high school although several years apart. Nevertheless,
their first meeting is an unexpected introduction for Chad, to a
relationship with another man. Surprising, electric, and erotic
without being explicit, the reader is immediately drawn into what’s
about to unfold.
As the relationship develops, Chad’s home life continues to
unravel. He leaves home and moves in with Tim, removing himself
from his father’s abuse, but in the process shifting his father’s
attention onto Sam.
The author develops several subplots, which are all intertwined.
The chemistry and evolving relationship between Chad and Tim is the
focal point of the story, and Kelly’s treatment is realistic and
riveting. The sex scenes, while only mildly graphic are
nonetheless very well done, and won’t disappoint those whose tastes
lean to the more sexually explicit. As the main story continues,
and the subplots do as well, the reader is drawn into the lives of the
main characters, those of Chad and Tim, and to a lesser degree,
Sam.
The author’s only real antagonist is the boys’ father, who seems
simplistically stereotypical, never fully developed, yet who
nevertheless drives the story in significant ways. The other
characters and their roles in the lives of Chad and Tim, and Sam, and
their own concurrent stories have their own twists and
challenges.
Tragedy strikes and is major a turning point in the book. This is
a major plot development, and is explored and developed nicely, but the
other characters’ issues are addressed and solved with great
tidiness. While this is evident in the reading, it doesn’t
detract from the main storyline, and the relationship between Chad and
Tim never wavers in its appeal. It is fact, quite engaging, quite
erotic, and is the heart of this novel.
Despite the neat ways in which the supporting cast’s issues are wrapped
up, the stories of Chad and Tim, and the tragedy that strikes are well
done and excellently depicted. Carcass
of the Caterpillar¸ is highly recommended. If the
hallmark of a good book is that one finds oneself turning back in
thought to it after he’s finished reading it, this book easily fits
that description.
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