The Trouble Boy
by Tom Dolby
ISBN: 0-7582-0617-8
Kensington Books, 2004
Paper, 264 pages, $14.00.
Tom Dolby has accurately captured the essence of what makes
twenty-something preppy gay men on the Upper East Side of Manhattan
tick in his refreshing and honest novel
The Trouble Boy. A native of
San Francisco, Toby Griffin is a privileged Yale graduate who majored
in film studies. Toby confides, “After a sexless four years at boarding
school, I was ready to sleep with every available gay undergrad in the
tristate area.” [p. 3] Having had his fill of meaningless one-night
stands he is more mature now at twenty-two, and is looking for the one
guy that he can spend the rest of his life with. He moves to the Big
Apple with dreams of fame, fortune, and a long-term relationship. His
accomplished wealthy parents—his mother is a famous fashion designer
and his father made his fortune at a firm specializing in
biotechnology—have given him one year to prove himself in NYC, if not
he has to go back home and work in his father’s business. Talk about
pressure…Toby’s parents succeeded in their careers while still in their
twenties and expect no less from their progeny.
The Trouble boy begins with Toby meeting Jamie Weissman who introduces
him to the guys who become his friends in Manhattan. A Princeton
graduate, Jamie is an investment banker, hardly the type of guy Toby
would assume was gay. Jamie introduces himself to Toby at the type of
party “…where people don’t talk to anyone they don’t know already.” [p.
1]. Jamie tells Toby about a job opening for a freelance writer at a
web site called CityStyle.com. Toby becomes their nightlife editor and
reviews nightclubs and interviews rent boys. The job has its perks
including many opportunities for sex, drugs, and alcohol. Even after
landing a job, Toby never loses sight of his dream to become a famous
screenwriter despite his parents’ desire for him to get a “real job”
and have a respectable career. Toby is determined to succeed and when
one job ends, he lands a more lucrative position as the personal
assistant to an unscrupulous film magnate, Cameron Cole. Toby feels
taking the job could be just the contact he needs to break into the
movie business.
While Jamie lusts after Toby, Toby lusts after a series of boys, from a
co-worker Donovon, to a whole cast of characters including Subway Boy,
Loft Boy, Army Guy, and others. The fantasies of domestic bliss Toby
conjures up as he sees a potential mate, is an endearing quality of the
ever-hopeful young man. The reader hopes Toby can find true love, but
first he has to get his life together and clean up his act. Will he
succeed in business and in love?
When I wasn’t laughing out loud, I was grinning from ear to ear at
Dolby’s wit, humor, and candor. Even in the face of inner turmoil and
catastrophic events, Toby maintains his sense of humor which gets him
through sticky situations. Toby is portrayed warts and all, or more
accurately, pimples and all. He is not always a very nice person, but
he is likeable even though the reader can’t help but notice his
shallow, egotistical, juvenile side. Toby makes mistakes but at least
he has a conscience making him all the more human and believable.
Hopefully, Toby can be saved from being the Trouble Boy and from making
poor choices.
Dolby intimately tells Toby’s story in the first person, except when he
switches to the third person in chapter three as Toby has a flashback
of his freshman year at college. What at first seemed jarring proved to
be a well thought out tactic that emphasizes Toby’s feelings that “it
happened to another person, another Toby Griffin.” [p. 40]. Who hasn’t
felt, or wished, that certain life events had happened to someone else?
With the gay Mecca Upper East Side of Manhattan lingo perfected in Tom
Dolby’s debut novel, The Trouble Boy, it’s hard to imagine not being
there along with the characters. Vivid descriptions, catchy phrases,
irresistible jargon all add to the charm of this fast-paced gay boy
romp. The Trouble Boy is reminiscent of William J. Mann’s The Men from
the Boys in that Toby is like so many gay boys—he’s desperate not to
end up living alone. He goes from one anonymous sexual encounter to
another searching for love and a permanent relationship, most of the
time for the wrong reasons and in the wrong places. Dolby’s insightful
observations are wonderful. One example is when Toby admits, "Unlike
those who had discovered a loss of libido on antidepressants, my libido
was as strong as ever, which made the situation worse. I felt like an
injured athlete who could only cheer his team on from the sidelines.”
[p. 37]. The metaphor was great as Toby describes the sexual side
effects of Paxil.
While The Trouble Boy is
classified as gay fiction, straight readers
will be able to relate to Toby’s dreams and aspirations quite well.
This fun but troubling journey into the gay world should not be bound
by genre. The Trouble Boy is engrossing, believable, and funny. The
dialogue rings true, and the pace is quick. It could easily be turned
into a screenplay and major motion picture. I give The Trouble Boy five
stars and look forward to the sequel.
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Under the Gun
by Lori L. Lake
Renaissance Alliance Publishing, Inc.
ISBN 1-930928-44-0
Paperback/ 2002/ 490 pages/ $22.95
In the second gripping police drama in Lori L. Lake’s Gun series, Under
the Gun delightfully picks up where Gun Shy left off and sets
the stage
for the third novel, Have Gun We’ll
Travel. Once you make the
acquaintance of the beautiful, big, strong, yet vulnerable Officer
Desiree [Dez] Reilly and her partner and lover Rookie Officer Jaylynn
[Jay] Savage you won’t be able to get enough of this dynamic duo. The
two cops are as different as night and day in looks and personality.
Always the macho cop, Dez, affectionately referred to as “tall, dark,
and dangerous,” maintains a tough impenetrable shell and demeanor to
hide her fears. “[Jaylynn] liked the fact that there was a defensive
fortress around her taciturn partner, but that the tall cop had let her
find the few chinks in the armor so that she had free access to come
and go as she pleased.” [p. 378] Dez bottles up her emotions until the
pressure becomes so great that an explosion is inevitable, while Jay is
not embarrassed or afraid to show her emotions. “It occurred to [Dez]
that one major thing she liked about Jaylynn was how alive she was. She
took on life with zest, whether she was investigating a crime, talking
on the phone, eating something tasty, making love, or crying at a sad
movie.” [p. 271]
Under the Gun
begins with Dez hopelessly in love with the vivacious,
white haired bundle of energy, but as happy as she is with the current
arrangement, that’s how terrified she is that something terrible will
happen to destroy her bliss. Jay is proving to be an excellent officer
with a good head on her shoulders, but she has an impulsive streak
which has Dez nervous on more than one occasion, as Jay repeatedly gets
hurt on the job. It’s understandable that the introspective cop, who
withdraws and equates showing emotions with being weak, is afraid of
losing the one person who understands her, tolerates her moodiness, and
who adds meaning, love, and joy to her life. Lake explores their
evolving relationship with rich detail while Dez goes through the
biggest transformation of all.
Dez is so adept at concealing her inner turmoil that even she is not
aware she is doing it. Having suffered serious traumatic events in her
life including the loss of her beloved father, also a police officer,
and her partner and close friend Officer Ryan Michaelson, it is only a
matter of time until Dez snaps and ends up suspended with no
alternative than to see psychiatrist Marie Montague, or be kicked
off the force. Reluctantly, the skeptical secretive officer works with
Marie. Can Marie save Dez from self-destructing, and going to a very
lonely and isolated place where she denies her heart’s desire for fear
of loss and rejection? Will the astute psychiatrist help Dez learn to
bridge the gap in all of her severed relationships, including the ones
with her mother Collette and her brother Patrick?
Luella is Dez’s “confidante, nurturer, and friend.” [p. 17] Can Marie
help Dez believe Luella when she says, “You can’t hold onto someone so
tight that you choke the life out of them.” [p. 280] Luella tries to
convince Dez that loving and losing someone is painful, but avoiding
love to avoid pain is not the solution. She also tells her surrogate
daughter “You are a strong person, Desiree Reilly, and you deserve to
love and be loved. But you have to make a choice to take the chance.”
[p. 280]
Lori Lake’s completely satisfying action/romance novel will engage a
full range of emotions that will leave the reader wanting more. No
stone is left unturned as all the loose ends are tied up. The
psychological journey of the characters’ growth and development,
particularly Dez’s, is just as intriguing as the crime drama, murder
investigation, and police work. In Under
the Gun, Jaylynn’s character
is delved into more deeply, we get to know Dez’s mother better, and
Luella and most of the other characters are back too. There are a few
new characters, including Luella’s sister Vanita, who enrich the story.
A crime drama would not be complete without antagonists. Nielsen is a
hateful and despicable rookie officer who graduated from the police
academy with Jaylynn. He has it in for the girls and rats out on their
relationship to Lt. Malcolm, adding another layer to the plot. How will
Dez’s colleagues react to the confirmation of what they suspected all
along…that Dez, the cop they admire and respect, is gay? Every
character, no matter how small their role, has a place and reason for
being in the story. Lake does not rush through her narrative and 490
pages go by in a blink.
I could not recommend Under the Gun,
nor praise the skill of Lori Lake
any higher. She paints a vivid picture that allows the reader to jump
into the story and become a part of Dez’s world. Luckily, I won’t have
to miss my favorite characters for long since Have Gun We’ll Travel is
now available. Five stars are not enough for Under the Gun—read it and
you will see what I mean.
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