
The Gay Detective Novel: Lesbian and Gay
Main Characters and Themes in Mystery Fiction
by Judith A. Markowitz
McFarland,
www.mcfarlandpub.com
ISBN: 0786419571 $35.00 312 pgs
Judith Markowitz’s compendium of information about modern novels
containing gay and lesbian characters and themes is one terrific book.
Focusing on mystery fiction (not so much thrillers or other sorts of
crime fiction), the bulk of the book contains five major sections:
Police, PIs, Pro Sleuths, Amateur Sleuths, and Partners, all within the
section entitled "The Authors & Their Characters." Markowitz quotes
many authors (such as Katherine V. Forrest, RD Zimmerman, Joseph
Hansen, Val McDermid, and many more), all of whom give unique insight
into the creation of characters and the way that themes are
illuminated.
The information about the authors and their intents and themes is
fascinating. Markowitz has broken down all the books into various
topics and listed out which novels talk about which themes. This
results in an extensive, ably organized section detailing the themes
across various series. I soon saw clearly that: 1) gay and lesbian
mysteries contain a huge variety of themes and subplots rarely dealt
with in mainstream novels; and 2) gay detective fiction is usually not
just about detection but also about the nature of crimes – often
against gay people - and the society in which such offenses are
committed. The worlds in which these investigations take place are
broad and varied, and it’s not just coming out or homophobia or gay
rights that authors deal with. Markowitz’s list of themes includes
everything from Adoption and Age to Hustling, Erotica, S/M, Bashing,
Youth Issues, AIDS, Outing, and more. The intersection of a crime or
injustice with the attempt by a sleuth to discover and right the wrong
often makes for complex plots and subplots in gay and lesbian fiction.
The book includes notes, bibliography, an index, and a Foreword by
Katherine V. Forrest. All in all, it's a good collection which covers
many standalone mysteries and most of the gay and lesbian series books
for the last 40-50 years. This is one resource book that any library,
crime fiction writer, or mystery fan will want on their shelves!
—Lori L. Lake
Lori has also put in
a great amount of time compiling a resource,
found here:
Gay and Lesbian Mysteries
An Incomplete, Ever-expanding,
Totally
Subjective Listing by Lori L. Lake, Listed by author name, (sleuth
series/name), BOOK TITLE(s)
Please Note:
If you find other titles that are so excellent you know I should read
them, please drop me a line at Lori@LoriLLake.com.
Or visit my site.
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THE
GAY MALE SLEUTH IN PRINT AND FILM: A HISTORY AND ANNOTATED BIBLIOGRAPHY
by Drewey Wayne Gunn
ISBN: 0810856816
Scarecrow Press, Inc.
Reviewed by William Maltese (http://www.williammaltese.com) whose
sci-fi epic BOND-SHATTERING has just been released).
Why do I so like/enjoy Drewey Wayne Gunn’s just-released reference
book, THE GAY MALE SLEUTH IN PRINT AND FILM — and why should every
aficionado of the mystery genre rush out and buy one? Let me count the
ways:
[1] For anyone (whether reader or writer) interested in the gay male
sleuth as a fictional genre, this book is, by far, the most
comprehensive work to date. Granted, there have been other reference
books that have included the subject (Anthony Slide’s GAY AND LESBIAN
CHARACTERS AND THEMES IN MYSTERY NOVELS: A CRITIAL GUIDE TO OVER 500
WORKS IN ENGLISH comes immediately to mind), but you’re not, at least
today, going to get a more up-to-date and complete history of the gay
detective, in film and fiction, than you get right here.
[2] The author, a professor emeritus at Texas A&M
University-Kingsville, and author of several articles and books,
including MEXICO IN AMERICAN AND BRITISH LETTERS and TENNESSEE
WILLIAMS, unabashedly gives credit where credit is due, namely
emphasizing the prime importance of gay pulp fiction in the early
developmental stages of the mystery (gay and/or straight) novel. As
Professor Gunn insightfully points out in his book: “One hardly knows
whether to be pleased that so much has already been noted or to be
frustrated at how gay mysteries continue to be doubly marginalized —
first because mysteries receive only so much respect anyway, doubly
because gay mysteries seem to receive even less.”
[3] The book is chockablock with useful and interesting information.
Like how there are plausible reasons to conclude that Sherlock Holmes
was gay… Like how the first recognizably gay sleuth probably appeared
in Rodney Garland’s English novel THE HEART IN EXILE (1953)... Like how
some books titles that don’t even sound as if they are gay detective
novels (THE BUTTERSCOTCH PRINCE by Richard Hall, ADONIS by William J.
Lambert III) are, in fact, gay detective novels. .. Like how Don
Holliday (author of THE MAN FROM C.A.M.P. series), is really Victor
Banis, and how John Jackson (DEADLY ORGASM) is really Tom Norman...
Like how a book by one author (A ROTTEN WAY TO DIE by Brenner Luckhart
can end up confusedly reprinted under a different title (BODY
EMBEZZLERS) and authorship (Joseph Shalam)….
[4] What better reason for me personally to buy this book that to find
myself (including several of my pseudonyms) not once, not twice, but
several times mentioned within the text and Index? What fun to have
become, once again, a “reference”. Not to mention how interesting it
was for me to be coaxed into remembering just how many books I did
write in the gay-sleuth genre. And, how can I resist an author and book
that has such probative things to say about my E-MISSION?: “Brad
Winslow, the hero of E-Mission (1974) … is only posing as a secret
agent. But his impersonation becomes a cogent study of the way legally
mandated closets so easily create double agents.”
[5] The book is written in a language surprisingly un-stuffy for a
reference book. Granted, sentences like the following can be a tad
daunting: “Slowly I became aware that his cognitive processes function
as a paradigm of the stages of self-actualization all gay men must go
through if we are to achieve wholeness in our lives.” That said,
the majority of Professor Gunn’s writing is a more accessibly
down-to-earth, like: “As he ages, he does begin to worry that sex is
addictive, especially when he realizes he cannot remember his last
eight or ten partners.”
[6] Finally, if you’re ever in a good mood for a gay detective novel,
but you haven’t a clue what’s “out there” for your reading pleasure,
you need look no farther than Professor Gunn’s THE GAY MALE SLEUTH IN
PRINT AND FILM. It just doesn’t get any easier than this.
—William Maltese
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